1. What Are Gian Lorenzo Bernini's Most Famous Works? - Art News
Jul 30, 2021 · Gian Lorenzo Bernini is now considered the most famous Baroque artist. These are his most famous works.
Gian Lorenzo Bernini is now considered the most famous Baroque artist. These are his most famous works.
2. When stone came to life | Art - The Guardian
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The 17th-century sculptor Gianlorenzo Bernini did nothing by half. In his work, as in his private life, raw passion was his driving force, writes Simon Schama.
3. Gian Lorenzo Bernini - Artforum
Gian Lorenzo Bernini had produced more portraits than any sculptor since antiquity. In an oeuvre that ran from semiautonomous marble gallery sculptures to ...
BY THE TIME OF HIS DEATH, Gian Lorenzo Bernini had produced more portraits than any sculptor since antiquity. In an oeuvre that ran from semiautonomous marble gallery sculptures to multimedia…
4. Slashed with a knife: the tender sculpture that hides a shocking but ...
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Costanza Piccolomini was physically disfigured by her lover, the Baroque sculptor Bernini: 400 years later her story can finally be told
5. Gian Lorenzo Bernini (1598–1680) - The Metropolitan Museum of Art
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See AlsoEcez IhubForging a path for future artists, [Bernini] played an instrumental role in establishing the dramatic and eloquent vocabulary of the Baroque style.
6. Bernini's Passionate Affair - Lewis Art Café
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Bernini's illicit affair and the violent aftermath
7. Bernini's Rejected French Sculpture | Daydream Tourist
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Gian Lorenzo Bernini (1598 – 1680) should be familiar to visitors to Rome. He essentially created the Baroque city that we see today producing sculptures, fountains, buildings and the majority of …
8. Revisiting Bernini, Master of Marble | PBS News
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The trigger for this post is the publication of a new book on Baroque sculptor Gian Lorenzo Bernini, "Bernini's Beloved: A Portrait of Costanza Piccolomini." The author, Emory University art historian Sarah McPhee, is the daughter of New Yorker writer John McPhee and has written on Bernini before. But no one has written more about the 17th century Italian master of marble than Irving Lavin, for decades the resident art historian at Princeton's Institute for Advanced Study. Indeed, when I sat in on Simon Schama's "Power and Authority in the Baroque" course at Harvard in the early '90s, Lavin was the key Bernini reading.